Results of the 55th Speech Festival

Name
Class
Poem
Teacher-in-charge
Marks
Place
Comments
1.
Ngan Lit Chun

ÃC¦CÂ@
1A

It's Not the Same Any
More

   ¡V Paul Cookson

PI
86
3rd
Careful, clear speaking. You through about Patch. Now reflect in your eyes.
2.
Leung Tak On

±ç¼w¦w
1A
It's Not the Same Any
More

    ¡V Paul Cookson
CL
85
1st
So well intentioned ¡V now be careful not to overstate merely losing rhythm are phrasing and naturalness. What a performance! (but your must remember you are speaking poetry. Otherwise you would have a higher mark)
3.
Lam Fung Chin Teddy

ªLÂ×®i
7B
"Heredity vs environment, which more influential"

(Extempore speech on a subject chosen by the adjudicator)
MU/CL
84
2nd

Prepared speech
Try to memorizes who you are ¡V don¡¦t read this! A well shaped and very balanced look at both aspects. Enhanced by the anecdotal diversion your style is sincere and given and fluent. The speech was well-structured and delivered with ease and style.
Extempore speech
Friends:
You spore from the heart here and it was very natural and fluent. Good work.

4.
To Yiu Kei

§ùÄ£°ò
7B
"Heredity vs environment, which more influential"

(Extempore speech on a subject chosen by the adjudicator)
MU
83

 Prepared Speech
This was informative and extremely interesting. A balanced view on the difference. Your oratorical style was good with a communicative awareness throughout. Well poised and in control, you ¡¥held¡¦ us all the way.
Extempore speech
Friends:
You did not set response from the small audience but happily it did not upset you. This was sp natural in style I would have lived you to extend it-like telling us what you do and where you go with friends ¡V style again was relaxed and communicative.
5.
Wan Pui Ting

·Å¨Ø´@
 4D

Precious Stones

   ¡V Silvie Taylor

 SY
 82
 
Quiver title smiling performance. Very good variety of pace and emphasis. Verses well separated. Be careful to avoid letting the rhythm value over- you did this in the last two verses ¡V not before! Why do it at all?
6.
Chow Chi Lung

©P§ÓÀs
6A 

My Last Duchess

   ¡V Robert Browning

 SA
 82
 
A good general attitude towards this piece of work. You put yourself in the place of the Duke and spoke aloud, than thoughts with the audience.
Don¡¦t exaggerate the words ¡V keep them straight allowing them to speech for themselves. Simply put the emotions in the sub-text.
Very good study.
7.
Tsim Cheuk Ling

¸â¨ô³®
 7A
 
 SC
 82
 
You spoke the poem carefully, capturing some of the moods behind the words. Do take care of sudden vocal changes ¡V they can distract from the words. Some pleasure interpretive moments.
8.
Chan Lai Ling

³¯ÄR¬Â
3B

 Lies

   ¡V Carol Ann Duffy

 TP
 82
 
A very gentle voice ¡V a thoughtful performance ¡V but prepare is much more for this large rooms. Try to find the unpleasant on water at the centre of this verse. And the delight the wickedness. Rhyme are purchasing were well varied. Developing vocal energy a facial response.
9.
Chan Fung Kwan

³¯»ñÃö
 3A

 Survival

   ¡V Gillian Bickley

 SZ
 81
 
A firm voice ¡V some merely tarsal expression, but sesame the rhythm, do not elongate the somas, try to work for a more naturalistic delivery. Work for just a little more vowel control.
10.
Ng Sze Lung

§d«äÀs
 3C
 I Saw Charlie Chaplin

   ¡V Charles Causley
 PY
 81
 
You spoke this clearly and with pleasant confidence. Good clarify of diction. Now aim for ever greater variety of expression and create the contrasts here. Good work.
11.
Chan Choi Ting

³¯±m´@
 4E

 Precious Stones

   ¡V Silvie Taylor

 WH
 81
 
Comments
A straight-faced performance. Well phrased. Far too many weak caesareans. Try to smile when you¡¦re saying a hopeful smile biter this.
12.
Cheng Ka Lee

¾G¹Å²ú
 6B

 Warming Her Pearls

   ¡V Carol Ann Duffy

 CL
 81
 
 You have fine range of expression is your voice, face and eyes. Do relax, and think about the meaning behind the words. Allow the emotion of the maid to be heard. You have a fine remix of performance.
13.
Tam Ka Yan

ÃӹŪY
 7A

 Warming Her Pearls

   ¡V Carol Ann Duffy

 SC
 81
 
You spoke the poem naturally, phrases flowing easily. Lots of expression in your face, voice and eyes. Don¡¦t over do this however ¡V let the words speak for themselves or just put the motion of the girl behind them. Inter practice work.
14.
Tse Siu Ping

ÁÂßNµÓ
 3A
 Survival

   ¡V Gillian Bickley
 YF
 80
 
A very gentle voice, try to prefect just a little more firmly for this large room. Sharpen richer, and explore the moods with contrast a tone colon. Develop final response.
15.
Yip Chun Fai

¸­«T½÷
 3A
I Saw Charlie Chaplin

   ¡V Charles Causley
 CL
 80
 
You worked hard to bring this life for us! You had an enthusiastic approach ¡V just keep the pattern of speech natural and be sure the rhythm doesn¡¦t get in the way of the sours.
You had a unique style have ¡V almost a rap ¡V fen, but keep it natural for Charles Causley to be in the right style.
Good work.
16.
Chong Sik Ming

²ø¿ü¦W
 3B
You worked well to bring this to like for us.
 KA
80 
 
You worked well to bring to life for us. Be sure to keep the commands string so that each word is clear. You spoke this with understanding - and enlarge this and keep the ending strong.
17.
Lee Chung Wai

§õ©¾°¶
 5D
 Old China Hand

   ¡V Peter Moss
 WH
 80
 
 Well-done! What a fantastic, and brave interpretation! This had a musicality about it which was totally compelling. I hope I am right in thinking you have these words well! It was just a slight blip in the heat of the moment! Relax now ¡V you brought so much to this poem and gave a memorable interpretation!
18.
Lee Ting Fung

§õ®x®p
 5D

 Old China Hand

   ¡V Peter Moss

 WH
 80
 
 A calm confident interpretation, given clearly. Now take time to focus on the great depth of meaning here and aim for even greater variety of expression to communicate the nostalgia and the mastery, and the loyalty. Have food work here.
19.
Tsang Siu Yi

´¿»F©É
 6A
 Warming Her Pearls

   ¡V Carol Ann Duffy
 SA
 80
 
 The imagery appreciated and phrasing explored. The every conveyed. Allow the pace to flow spontaneously with variety. Continue to work on English patterns of voice. Do be more subtle with the ending.
20.
Yan Sek Fai

®ï¿ü½÷
 7B
"Heredity vs environment, which more influential"

(Extempore speech on a subject chosen by the adjudicator)
MU
 80
 
Prepared Speech
Confident start ¡V This was an interesting look at both features of the speech ¡V You are communicating so naturally and spontaneously! But your pace is very rapid and it is nor easy to understand all your vowel sounds, easily, For more comfort or the audience you really need to scow clown your delivery. Your views were very balanced and you developed the speech to a firm conclusion.

Extempore speech
Again, such a communicative style ¡V spontaneous! Now do try to lengthen your vowel seconds to form them fully and project consonant was ¡¥on the point¡¦ but was little bit of a struggle! Overtime!

21.
Lee King Fu

§õ´º´I
 7A

 My Last Duchess

   ¡V Robert Browning

 SC
 80
 
You had made a good study of the work, and followed the form and punctuation well. Do try to break it up little more. As you heard and full stop, or color, find the change of attack. Use this to alter your voice in pitch, pace, volume, etc
22.
Kong Chi Huen Sunny


¦¿´¼Òj
 2A
 Dear Mr. Examiner

   ¡V Gareth Owen
 IN
 79
 
Quite a good start with some feeling got the mood and humor of the poem. Quite an expressive face and voice with some good use of emphasis. This was well learnt. Just needs much more variation of pace and tone to make it better.
23.
Lie Yuen Yi

§õ­b©É
 2A
 Shining Things

   ¡V Elisabeth Gould
 IN
 79
 
 A quiet but interesting start. Some expression in the voice let the face show the feeling as well. Try and speak up just a little more. Try and vary the pace of the different verses.
24.
Wong Yuen Ting Cythia

¶À°û´@
 5B
 A Hong Kong House

   ¡V Edmund Blunden
 PI
 79
 
Really see the opening creatives ¡V you made an effort to sustain the thought. Let the phrases flow freely. Some variety of pace. Now really convolute yourself share the images with more tone colour ¡V light and shade vocally and with your face. Feeling for the words made you lost the thread of thoughts.
25.
¦ó®a©É
 4B
 
 CY
 78
 
 
26.
Au Tung Ching

°Ï¥V´¸
6A
 Warming Her Pearls

   ¡V Carol Ann Duffy
 SA
 78
 
The relationship and feelings of the girl considered ¡V the reality of the envy developed. Be more subtle with vocal responses ¡V make sure stresses do not overshadow the mood and meaning.
27.
Koo Chong Hang

¥j¥ò«í
 1A

 It's Not the Same Any More

   ¡V Paul Cookson

 MA
 77
 
 Natural, pleasant speaking ¡V now be sure we can hear your clearly. Really think about patch sure a pity lose of words worried you so you lost the climax.
28.
Wong Kit Chi

¶À¼äªÛ
 5D
A Hong Kong House

   ¡V Edmund Blunden
 SA
 77
 
You need to use more power. You spoke the words now let them flow and suspend the words now let them flow and suspend the thoughts to keep the shape. Involve you face ¡V involve yourself in seeing the images. Work on shaping words and intonation. Share the creatives and the movement vocally and facially.
29.
Wong Chui Wo

¶À»A©M
 1B
 Roads

   ¡V Silvie Taylor
 NET
 76
 
Made the Planning quite well but you must continue to work on pronunciation and to said out the phrasing. Try to vary the pace.
30.
Tsang Siu Yi

´¿»F©É
 6A
 
 PI
 76
 
You should determine not to let unfamiliar words upset you ¡V good. You are beginning to read in phrases. Remember to project ¡V I could hear you but I will to listen very hard to be able to do so.