Results of the 55th Speech Festival
| |
Name |
Class |
Poem |
Teacher-in-charge |
Marks |
Place |
Comments |
| 1. | Ngan Lit Chun ÃC¦CÂ@ |
1A |
It's Not the Same Any |
PI |
86 |
3rd |
Careful, clear speaking.
You through about Patch. Now reflect in your eyes. |
| 2. | Leung Tak On ±ç¼w¦w |
1A |
It's Not the Same Any More   ¡V Paul Cookson |
CL |
85 |
1st |
So well intentioned ¡V now be careful
not to overstate merely losing rhythm are phrasing and naturalness.
What a performance! (but your must remember you are speaking poetry.
Otherwise you would have a higher mark) |
| 3. | Lam Fung Chin Teddy ªLÂ×®i |
7B |
"Heredity vs environment, which more influential" (Extempore speech on a subject chosen by the adjudicator) |
MU/CL |
84 |
2nd |
Prepared speech |
| 4. | To Yiu Kei §ùÄ£°ò |
7B |
"Heredity vs environment, which more influential" (Extempore speech on a subject chosen by the adjudicator) |
MU |
83 |
Prepared Speech This was informative and extremely interesting. A balanced view on the difference. Your oratorical style was good with a communicative awareness throughout. Well poised and in control, you ¡¥held¡¦ us all the way. Extempore speech Friends: You did not set response from the small audience but happily it did not upset you. This was sp natural in style I would have lived you to extend it-like telling us what you do and where you go with friends ¡V style again was relaxed and communicative. |
|
| 5. | Wan Pui Ting ·Å¨Ø´@ |
4D |
Precious Stones |
SY |
82 |
Quiver title smiling performance.
Very good variety of pace and emphasis. Verses well separated. Be
careful to avoid letting the rhythm value over- you did this in the
last two verses ¡V not before! Why do it at all? |
|
| 6. | Chow Chi Lung ©P§ÓÀs |
6A |
My Last Duchess |
SA |
82 |
A good general attitude
towards this piece of work. You put yourself in the place of the Duke
and spoke aloud, than thoughts with the audience. Don¡¦t exaggerate the words ¡V keep them straight allowing them to speech for themselves. Simply put the emotions in the sub-text. Very good study. |
|
| 7. | Tsim Cheuk Ling ¸â¨ô³® |
7A |
SC |
82 |
You spoke the poem carefully, capturing
some of the moods behind the words. Do take care of sudden vocal changes
¡V they can distract from the words. Some pleasure interpretive moments. |
||
| 8. | Chan Lai Ling ³¯ÄR¬Â |
3B |
Lies ¡V Carol Ann Duffy |
TP |
82 |
A very gentle voice ¡V a thoughtful
performance ¡V but prepare is much more for this large rooms. Try to
find the unpleasant on water at the centre of this verse. And the
delight the wickedness. Rhyme are purchasing were well varied. Developing
vocal energy a facial response. |
|
| 9. | Chan Fung Kwan ³¯»ñÃö |
3A |
Survival ¡V Gillian Bickley |
SZ |
81 |
A firm voice ¡V some merely tarsal
expression, but sesame the rhythm, do not elongate the somas, try
to work for a more naturalistic delivery. Work for just a little more
vowel control. |
|
| 10. | Ng Sze Lung §d«äÀs |
3C |
I Saw Charlie Chaplin ¡V Charles Causley |
PY |
81 |
You spoke this clearly and with
pleasant confidence. Good clarify of diction. Now aim for ever greater
variety of expression and create the contrasts here. Good work. |
|
| 11. | Chan Choi Ting ³¯±m´@ |
4E |
Precious Stones ¡V Silvie Taylor |
WH |
81 |
Comments A straight-faced performance. Well phrased. Far too many weak caesareans. Try to smile when you¡¦re saying a hopeful smile biter this. |
|
| 12. | Cheng Ka Lee ¾G¹Å²ú |
6B |
Warming Her Pearls ¡V Carol Ann Duffy |
CL |
81 |
You have fine range of expression
is your voice, face and eyes. Do relax, and think about the meaning
behind the words. Allow the emotion of the maid to be heard. You have
a fine remix of performance. |
|
| 13. | Tam Ka Yan ÃӹŪY |
7A |
Warming Her Pearls ¡V Carol Ann Duffy |
SC |
81 |
You spoke the poem
naturally, phrases flowing easily. Lots of expression in your face,
voice and eyes. Don¡¦t over do this however ¡V let the words speak for
themselves or just put the motion of the girl behind them. Inter practice
work. |
|
| 14. | Tse Siu Ping ÁÂßNµÓ |
3A |
Survival ¡V Gillian Bickley |
YF |
80 |
A very gentle voice, try to prefect
just a little more firmly for this large room. Sharpen richer, and
explore the moods with contrast a tone colon. Develop final response. |
|
| 15. | Yip Chun Fai ¸«T½÷ |
3A |
I Saw Charlie Chaplin ¡V Charles Causley |
CL |
80 |
You worked hard to bring this life
for us! You had an enthusiastic approach ¡V just keep the pattern of
speech natural and be sure the rhythm doesn¡¦t get in the way of the
sours. You had a unique style have ¡V almost a rap ¡V fen, but keep it natural for Charles Causley to be in the right style. Good work. |
|
| 16. | Chong Sik Ming ²ø¿ü¦W |
3B |
You worked well to bring this to like for us. | KA |
80 |
You worked well to
bring to life for us. Be sure to keep the commands string so that
each word is clear. You spoke this with understanding - and enlarge
this and keep the ending strong. |
|
| 17. | Lee Chung Wai §õ©¾°¶ |
5D |
Old China Hand ¡V Peter Moss |
WH |
80 |
Well-done! What a fantastic,
and brave interpretation! This had a musicality about it which was
totally compelling. I hope I am right in thinking you have these words
well! It was just a slight blip in the heat of the moment! Relax now
¡V you brought so much to this poem and gave a memorable interpretation! |
|
| 18. | Lee Ting Fung §õ®x®p |
5D |
Old China Hand ¡V Peter Moss |
WH |
80 |
A calm confident interpretation,
given clearly. Now take time to focus on the great depth of meaning
here and aim for even greater variety of expression to communicate
the nostalgia and the mastery, and the loyalty. Have food work here. |
|
| 19. | Tsang Siu Yi ´¿»F©É |
6A |
Warming Her Pearls ¡V Carol Ann Duffy |
SA |
80 |
The imagery appreciated and
phrasing explored. The every conveyed. Allow the pace to flow spontaneously
with variety. Continue to work on English patterns of voice. Do be
more subtle with the ending. |
|
| 20. | Yan Sek Fai ®ï¿ü½÷ |
7B |
"Heredity vs environment, which more influential" (Extempore speech on a subject chosen by the adjudicator) |
MU |
80 |
Prepared Speech
Confident start ¡V This was an interesting look at both features of the speech ¡V You are communicating so naturally and spontaneously! But your pace is very rapid and it is nor easy to understand all your vowel sounds, easily, For more comfort or the audience you really need to scow clown your delivery. Your views were very balanced and you developed the speech to a firm conclusion. Extempore speech |
|
| 21. | Lee King Fu §õ´º´I |
7A |
My Last Duchess ¡V Robert Browning |
SC |
80 |
You had made a good study of the
work, and followed the form and punctuation well. Do try to break
it up little more. As you heard and full stop, or color, find the
change of attack. Use this to alter your voice in pitch, pace, volume,
etc |
|
| 22. | Kong Chi Huen Sunny ¦¿´¼Òj |
2A |
Dear Mr. Examiner ¡V Gareth Owen |
IN |
79 |
Quite a good start with some feeling
got the mood and humor of the poem. Quite an expressive face and voice
with some good use of emphasis. This was well learnt. Just needs much
more variation of pace and tone to make it better. |
|
| 23. | Lie Yuen Yi §õb©É |
2A |
Shining Things ¡V Elisabeth Gould |
IN |
79 |
A quiet but interesting start.
Some expression in the voice let the face show the feeling as well.
Try and speak up just a little more. Try and vary the pace of the
different verses. |
|
| 24. | Wong Yuen Ting Cythia ¶À°û´@ |
5B |
A Hong Kong House ¡V Edmund Blunden |
PI |
79 |
Really see the opening creatives
¡V you made an effort to sustain the thought. Let the phrases flow
freely. Some variety of pace. Now really convolute yourself share
the images with more tone colour ¡V light and shade vocally and with
your face. Feeling for the words made you lost the thread of thoughts. |
|
| 25. | ¦ó®a©É |
4B |
CY |
78 |
|||
| 26. |
Au Tung Ching °Ï¥V´¸ |
6A |
Warming Her Pearls ¡V Carol Ann Duffy |
SA |
78 |
The relationship and feelings of
the girl considered ¡V the reality of the envy developed. Be more subtle
with vocal responses ¡V make sure stresses do not overshadow the mood
and meaning. |
|
| 27. | Koo Chong Hang ¥j¥ò«í |
1A |
It's Not the Same Any More ¡V Paul Cookson |
MA |
77 |
Natural, pleasant speaking
¡V now be sure we can hear your clearly. Really think about patch sure
a pity lose of words worried you so you lost the climax. |
|
| 28. | Wong Kit Chi ¶À¼äªÛ |
5D |
A Hong Kong House ¡V Edmund Blunden |
SA |
77 |
You need to use more power. You
spoke the words now let them flow and suspend the words now let them
flow and suspend the thoughts to keep the shape. Involve you face
¡V involve yourself in seeing the images. Work on shaping words and
intonation. Share the creatives and the movement vocally and facially.
|
|
| 29. | Wong Chui Wo ¶À»A©M |
1B |
Roads ¡V Silvie Taylor |
NET |
76 |
Made the Planning quite well but
you must continue to work on pronunciation and to said out the phrasing.
Try to vary the pace. |
|
| 30. | Tsang Siu Yi ´¿»F©É |
6A |
PI |
76 |
You should determine not to let
unfamiliar words upset you ¡V good. You are beginning to read in phrases.
Remember to project ¡V I could hear you but I will to listen very hard
to be able to do so. |