Results of the 54th Speech Festival
|
Name |
Class |
Poem |
Teacher-in-charge |
Marks |
Place |
Comments |
|
1.
|
Harmonic Choral Speaking
|
S1
|
Pegasus
(by Eleanor Farjeon) |
CL/MAL
|
84
|
3rd
|
This was a marvelous musical tribute
to the flying horse and the sounds most skillfully controlled by
your conductor. However sme of the words were swallowed as the horse
galloped ever faster and it is important that every word is clearly
understood. Nevertheless the harmonious blending if voice was skillful
and the poet’s intention clearly conveyed. |
2.
|
Lam Fung Chin 林豐展 |
6B
|
Crystal
(by Barrie Wade) |
CL/MU
|
86
|
2nd
|
Some excellent word-coloring
here – 'Sharp edged.' – excellent. You caught the mood of the poem.
Relax now. – don't try too hard. Phrasing secure. You need to have
a falling inflexion on the last live. Very expression work.
|
3.
|
Tsang Siu Yi 曾肇怡 |
5C
|
Truant
(by Phoebe Hesketh) |
PI
|
85
|
A warm vocal tone. You capture
its musicality. This was a throughout interpretation – but reinforce
pronunciation a little more. The poem well shaped with rhythm contrast.
Develop the contrast and mood. Persevere facial expression
|
|
4.
|
Yip Chun Fai 葉俊輝 |
2A
|
You'd Better Believe Him
(by Brain Patten) |
IN/CL |
83
|
-
|
You stood firmly and had fun
with the poem, sharing the subtle humour freely. (Strengthen some
of the consonants for quarter clarity and ease). The characterization
was clearly defined and believable. Well tried ending. Lively facial
expression. Persevere, you have much to offer.
|
5.
|
Martin Ricky
|
3B
|
Talking-tubes
(by Michael Rosen) |
SZ/CL
|
80
|
You were working hard to achieve
clarity. Sometimes you stress too many words and not always the most
important word in the phrase. Don’t make a final sound too long-though
it was fun in its word ‘Amazing”. You did realize what the brother
was doing!
|
|
6.
|
Wan Pui Ting 溫佩婷 |
3A
|
Shadow Collector
(by Peter Dixon) |
TP/CL
|
80
|
You shared your gentle interpretation,
with vivid imaging. Strengthen the tongue tip for quarter consonant
precision. The moods were inflected very well and you shaped the
poem easily. Slight staccato rhythm. Responsive facial expression
and strong ending.
|
|
7.
|
Au Yat Sum 區溢森 |
1C
|
Neighbours
(by Leonard Clark) |
SZ/MA
|
80
|
A mature vocal tone. Relax
your hands by your side. Some expression evident. See if you can
do more now. Aim to work on diction – Th, L+N need care. Good vocal
projection. Promising work.
|
|
8.
|
Kong Chi Huen Sunny 江智烜 |
1B
|
Dear Mun
(by Brian Patten) |
CL/ MAL
|
80
|
Well done.
You spoke every word with care-concentrating on each phrase as
you spoke it. Now try to allow phrases to flow easily, pausing
between each image. Also change pitch with each new idea. Some
very good expression in the latter half of the work. |
|
9.
|
So Chun Hin 蘇鎮軒 |
1A
|
Neighbours
(by Leonard Clark) |
SA/ NET
|
80
|
A gentle vocal tone. Very good – first verse was atmosphere – you caught the mood of the poem. Now slow down, think about pause. Aim for clarity of diction. L, N, Th need care. A promising performance. |
|
10.
|
葉美珍 |
2B
|
Night Walk
(by Max Fatchen) |
YK |
77
|
Sighing etc. need to so very
well considered. Do project adequately throughout. Stress needs to
be reconsidered in places. Some variety of pace. Well tried.
|
|
11.
|
Wong Ho Yi
王可兒 |
2B
|
Night Walk
(by Max Fatchen) |
YK
|
77
|
Well presented. Genre needs to be well considered. Do project adequately throughout and enunciate very clearly. Did have varied phrasing. Well tried. |
|
12.
|
Chan Fung Kwan 陳鳳關 |
2A
|
One That Got Away
(by Julie Holder) |
IN/CL
|
77
|
A little quiet.
Try to project more consonant clusters and little difficult.
Different color given to various words. Some variety found, but
needs more thought. Well tried. |
|
13.
|
Hung Ka Kuen 孔家權 |
1C
|
Neighbours
(by Leonard Clark) |
SZ/MA
|
76
|
A gentle vocal
tone – make sure that you project right to the back. Some expression
shown – can you use facial expression to help? Relax your hands
by your side. Promising work. |
|
14.
|
陳又銘 |
1B
|
Dear Mum
(by Brian Patten) |
CL/ MAL
|
75
|
You tried to
hard as you spoke your poem – and you stood well up them on the
platform. Keeping doing exercises to help flexibility of tongue
and tips for crisp, clear consonants. A fair try –well done. |
|
15. |
Leung Suk Yin 梁淑賢 |
1A |
On the Blue Day (by David Harmar) |
SA/ NET |
75 |
You really concentrated as
you spoke the words of the poem. A quiet but nevertheless clear
voice – well done. Now have the confidence to speak out to the
back of the room and show the feeling in the words. Well done. |